Bald Cypress Styling – Formal And Informal Upright

bald cypress styling – formal and informal upright

Sneak Peek

It doesn’t matter if your Bald cypress bonsai is going to be a formal upright or an informal upright, certain “rules” apply to the design.

Bald Cypress Styling – Formal and Informal Upright

    I first showed you this formal upright Bald cypress bonsai-to-be back in April. The first step with this newly collected specimen, as I noted, was to edit the shoots in preparation for the initial styling.

    This work was done about a week after the photo above was taken. As you can see, it’s all about new tender shoots and getting them started in the right positions.

    Here is today’s update. There’s been plenty of growth in a month, and the leader thickened up enough that I had to unwire it.

    Now, it’s important at this point to consider some basic design principles which will apply to most of your bonsai. Here they are, in no particular order of importance:

    • the first quarter to third of the trunk, starting from the soil, is devoid of branches
    • branches are spaced farther apart in the lower part of the tree, getting closer together as you work your way up
    • you always want a good distribution of branches, which is why we all learn the “spiral staircase” concept of left branch-right branch-back branch or any combination thereof (we usually don’t start with a back branch, but I have from time to time)
    • branches are longer in the lower part of the tree than in the upper part, mimicking trees in nature and complying with horticultural principles

    Keep those principles in mind as we turn our attention to this client tree I worked on today. The growth you see is very typical of cypresses when you first tackle them.

     

    The basic editing is done. Notice how the tree has been worked in keeping with the principles noted above. First branch placement (the final position is the key), fewer branches in the lower part and more in the upper, good distribution of branches around the trunk, pyramidal form to mimic natural trees.

    The next vital chore on this specimen is to make the angle cut on the trunk. It was chopped straight across when collected, which is how it needs to be done, and now that I’ve selected my leader it’s time to get the tapering transition into the new apex under way. This part is done with a trunk splitter, the absolute best tool for the job.

     

    The rough result.

    I use knob cutters followed by hand-carving tools to smooth it out. Notice the “shelf” that I’ve left near the new leader. This is necessary because of the apical dominance of the tree, which will cause the callus beneath the leader to swell very rapidly and much more than at the bottom of the angle cut. If I carve this angle without the shelf, the callus is very likely to overswell and cause a reverse taper. I have seen this error too many times to count.

    By the way, this whole carved area must be sealed (which I did after the work was completed). BC sapwood is like a sponge, and the transported water goes right through the chop area – not good for the tree.

     

    And finally, the tree is wired and the branches positioned. Notice a couple of things about this initially styled BC:

    • the first branch on the tree emerges at the first bend in the trunk – a classic bonsai design principle because it looks right and complies with natural horticultural principles (notice the low point where the branch was pulled down; it is very near 1/3 what will be the final height of the tree)
    • the branches have been pulled downward; this helps to produce the illusion of height in this tree (along with the taper of the trunk, which is forced perspective)
    • the branches in the top of the tree have been trimmed very short; if left too long they will rob energy from the lower branches, so must be kept “cool”
    • the gentle curve of the trunk is continued into the new leader

    Let me know what you think of today’s work.

    The Beech Code?

    the beech code?

    Sneak Peek

    Beech make wonderful bonsai. American beech, however, is nowhere near as amenable to development as its European or Japanese counterparts. But that might not be the end of the story ….

    The Beech Code?

    I collected this American beech, Fagus grandifolia (grandifolia means large leaf – hurray!) in early 2019. This is the first photo I took of it, in April of 2019.

    I rarely collect American beech because they present more than their fare share of challenges in making bonsai out of them. Here’s a partial list:

    • Large leaves that are hard to reduce in size
    • Slow growth, hence slow ramification
    • Sensivitity to summer heat
    • Surprising sensivitity to low temperatures (and by that I don’t mean below zero – the species ranges all the way to Canada, but I’ve had them die at 15F)

    With that said, I was out with a bonsai friend hunting for American hornbeams, and spotted this beech at quite a distance. This is easy in winter, as they have the trademark persistent leaves that are a beautiful light golden color. This one had some things going for it: tapering trunk in a reasonable length (less than 20″); some branching already in place; and some very cool trunk damage that had healed (character!). My normal reticence went away, and the tree was soon in the back of my SUV.

    I didn’t do anything but feed and water the tree in 2019. It did its part, getting an established root system going. It also produced some growth in the apex I could use to start building a crown.

    A year after collection, we’ve now got an apex and the usual whopping big leaves. The latter wasn’t too worrisome – you can eventually get leaf size reduction even on American beech, and it’s not an early-stage technique you should be using anyway.

    Here’s the January photo of this tree. It’s very important to take note of this photo – very important. What happens following this is pretty remarkable.

     

    Now it’s April, and the tree is completely wired out and ready for its single round of growth for 2021. Not a bad looking tree. It did, by the way, sustain some damage during our big snow storm with the ice and very cold weather (some broken branching in the crown).

    This is the first photo taken of this tree today. You may want to refer back to the photos above for comparison.

    You can’t help but notice the foliar density and unexpected progress in leaf-size reduction. I have been more than amazed at how this tree has progressed in just the past month. I have had to repeatedly pinch what has turned out to be almost continual growth. But how did it happen?

    I didn’t take a photo of this tree once the first flush of shoots had extended, the leaves unfurling and expanding to rather grandifolia proportions; I wish I had. But here’s what I did do. Something popped into my head one day when I was studying the tree with its new and luxuriant foliage: why not cut the leaves in half?

    To be honest, the reason I did this is the tree responded to my shortening the new leader by pushing two previously dormant buds there while at the same time presenting a couple on the ends of lower branches. I wondered if I could prompt the tree to make yet more buds on other, lower branches. I was pleasantly surprised when I got fresh buds everywhere I cut the leaves in half.

    Here’s a principle of trees to remember: they don’t care how many leaves they have; what they care about is the total amount of leaf surface area, because their survival is based on photosynthesis and this occurs in the leaves. Total leaf surface area is directly related to how well the photosynthesis goes. So the tree can have a few large leaves, or a lot of smaller leaves. This is one way we’re able to make bonsai look realistic, by way of leaf-size reduction.

    So is this the Beech Code, working the new spring growth by cutting leaves and pinching new growth? I don’t know for sure, but you can bet it’s going to be my practice from now on. To be able to grow nice American beech bonsai is a really worthwhile goal for the American bonsai artist. They’re such lovely trees in nature; they should be on our benches.

     

    Here’s the last shot for today. I wired up a new leader, thinned some foliage in the apex and – you guessed it – cut some more leaves in half.

    I expect this tree to stop growing once the summer heat sets in. But by that time, I expect to have a presentable beech in only two years of work – an incredible achievement, to be honest. Next year it gets a bonsai pot, and I expect it will come even closer to a showable condition.

    Let me know what you think.

    Rebuilding A Live Oak Bonsai

    rebuilding a live oak bonsai

    Sneak Peek

    Sometimes you have to start over with a bonsai. That has been the case with this old Live oak I was left by a bonsai friend who passed.

    Rebuilding a Live Oak Bonsai

    I’ve shown you this Live oak bonsai before. I received it as a bequest from a bonsai friend who passed away, and I have done my best to maintain it since. I knew there were some issues with the tree when I got it – for example, a couple of the branches had been cracked during training, sealed and allowed to heal. They did all right, but I was concerned that in time they might not survive.

    The question was settled for me a few winters ago. Live oaks won’t take serious cold weather, and we did have a couple of 17 degree nights that year. Couple that with a mistake I made, namely putting the tree in too shallow a bonsai pot (thereby putting the roots more at risk), and I almost lost the tree altogether. Here it is in 2018, after I had cut away the lower branches remaining on the tree. If you look closely, you can see two new shoots along the trunk. This Live oak wanted to live!

    Another issue with the original tree – certainly not something I couldn’t have lived with – is that it was taller than I would have liked had I designed it from the start. The obvious solution, now that circumstances had given me a choice, was to really chop the tree down.

    Here it is last November. I took it down to the lower of the two new shoots you can see in the photo above (it’s almost always better to chop lower, chop farther in to the trunk, prune more off, etc.). I knew that the lower I went with my new design, the better a design I would end up with.

    Isn’t this an amazing amount of growth for a tree that almost died!

     

    Here we are after the first major pruning of 2021. The photo speaks for itself.

    The above photo was from February of this year. Here’s the tree earlier today (I had aleady removed the wire I put on it back in April).

     

    The tree needed trimming, especially the new leader, so here it is after a nice pruning and a little wiring to get the branches to start sweeping downward (like a Live oak should).

    Looks good, but don’t forget the principle I noted above.

    “Prune back farther” is almost always best when you’re pruning your bonsai. We tend to be hesitant to remove most of the hard work our trees have done, but the best designs down the road tend to come from pruning harder in the present. I’ve seen more overgrown bonsai than I could begin to count (many of them my own). The illusion of the large, mature tree in nature is invariably hampered when the bonsai gets overgrown, but it is what they do when they’re growing in a healthy way. Your job, as the resident bonsai disciplinarian, is to reign them in with your pruning tools.

    This tree is going to regrow all of the mass of foliage I removed and then some, over the next however many weeks or months until I decide it’s time to take the next step. My goal for today was to continue working toward the classic Live oak form with this tree. It won’t ever be quite right, given the single leader, but I’m confident I can “adjust” the informal upright structure to make it a good representation.

    Let me know what you think.

     

    Flat-top Bald Cypress Bonsai – Starting A New Specimen

    flat-top bald cypress – how to get started

    Sneak Peek

    The flat-top Bald cypress bonsai is the fastest to create from scratch. That’s because you get to take advantage of the tree’s apical dominance.

    Flat-top Bald Cypress – How to Get Started

    I’m convinced that there are two distinctive main styles for Bald cypress bonsai, the classic pyramidal style and the so called “flat-top.” The flat-top style is nothing more than a representation of the older specimens you see in the swamps. Once a BC grows to its natural mature height limit (genetics and all that jazz), the lower branches mostly die off and what you’re left with is a gradually spreading crown that reaches its natural limits.

    I’m also convinced, though I’ll certainly get plenty of argument, that certain specimens lend themselves more to the flat-top style than others. For my money, the trunk height to trunk base ratio for the flat-top needs to be bigger to emphasize the height of the tree. It’s supposed to be a fully mature tree, after all, and they tend to get quite tall. Also, the pyramidal style bonsai can be grown from a tree with a nice fat trunk base and only end up at a 6 or 8 to 1 ratio of height to base. The pyramidal, or “Christmas tree” shape also produces the forced perspective that fools the brain into thinking the tree is very tall. This isn’t able to happen the same way with the flat-top, thus the need for a bigger base to height ratio. The tree on the right has a 2.5″ diameter trunk near the soil, and it’s chopped at 26″. So we start off with a height to base ratio of 10 to 1, and by the time the crown is developed we’ll be closer to 12 to 1. (Yes, I hear some of you thinking, that violates a bonsai rule! I suppose it does, but the tree needs to look right and this is how it’s done in my book.)

    So if you’re still humoring me, let’s get started with a fun rhyme: in bonsai, less is always more, until it’s not anymore. You’ll often find yourself confronted with trees that are just a mass of branches, foliage and confusion. A bonsai is a representation of a mature tree in nature, not an exact duplicate of one. So we want to boil down our trees to their essence, and that means getting rid of a lot of foliar mass the tree went to a lot of trouble to grow. But that’s okay, the tree won’t mind (with BC, they continue to push trunk buds for quite some time until you finally convince them you’re right).

    So here’s the first pass on editing down this BC to a more useable form. I was able to remove all of the lower branches that were trying to grow upward – I don’t need to fight those branches when I have some already growing horizontally.

    We also need to keep in mind as we shape our trees that just because we’re doing bonsai doesn’t mean we can ignore all of the natural rules of the road. What I mean in this case is shown in the photo – namely, that empty space on the right side of the trunk near what will be the new apex. When branches get shaded out in nature by those above it, they die. I have seen the same phenomenon in bonsai. I might be able to keep a branch below the crown of this one alive, but it just wouldn’t make sense for it to be there. So I removed all of them.

    Here’s the tree after all the high-falutin’ wiring I did to it. That’s right, one wire for two branches, a trim on the left side to “cool” that branch off and push the energy to the right, and a few turns for both. I’ll wait to wire the lower branches until they’re tougher and less likely to snap off – made easier by the fact that I don’t need to convince them to lie flat.

     

    The last chore for today is to carve down the trunk chop. I did this with my spherical knob cutters for the rough work, then I used a carving knife to smooth the whole area. This is especially important at the edges, where the callus is going to start swelling before you know it. I want it to roll smoothly over the chop, and eventually to not look like anything at all but a continuation of the trunk line.

    I’ll post updates on this tree as the work progresses. By next spring, I should be able to move it to a bonsai pot.

    Let me know what you think.

    Big Bald Cypress Gets A Home

    big bald cypress gets a home

    Sneak Peek

    I’ve been working on this big Bald cypress since 2015. I’ve been anxiously waiting for the day when it got a home suited to it. Today it happened.

    Big Bald Cypress Gets a Home

    You’ve seen this big Bald cypress on a number of occasions. I’ve been working on it since it came home in 2015. I could say it’s an awesome specimen, but the tree speaks for itself. A couple of years after I started working on it, I potted it into this training pot (a Byron Myrick piece that cracked during firing – he gave it to me and I put it to good use).

    The tree was last repotted in 2019. It doesn’t necessarily need repotting this year, but since I finally have THE pot there’s certainly no harm in doing so.

    First, of course, the tree needs a thorough wiring and some minor trimming.

    I forgot to mention that this tree was the first one to start pushing buds this year. The hard freezes we got recently did nip the new growth some, but the warm-up that’s happened in the past few days has resulted in lots more buds. The tree is certainly eager for 2021.

    Here I’ve started on the right-hand side of the tree. By the way, when you find yourself wiring a tree that’s coming into bud, you obviously need to be careful not to damage the new buds … to the greatest extent you can. You will damage some buds. With BC in particular, they bud so prolifically that you’re going to knock off quite a few buds as you wire. Do your best, but don’t get too worried if you lose some buds. This is the time of year when these trees are super strong and determined to come out.

     

    Here I’ve switched over to the left side of the tree. Ordinarily I wire from bottom to top, first branch second branch third branch and so on, but you can do it this way if you want. This is especially true when wiring a dormant tree or one that’s just coming into bud.

    I’m almost done. There are some smaller shoots in the apex that I’m leaving to help continue the thickening of the tapering transition. No need to wire them. Then there’s that lowest left branch that has plodded along all these years. I’ll wire it today, but I also have a couple of small new shoots that could end up taking its place, if either one decides to get really vigorous. Time will tell.

    And finally, this big BC is in its custom-made home. Lary Howard did a spectacular job on this pot – the color couldn’t be better suited to Bald cypress. Plus I think the rectangular shape with rounded corners is just right for this tree.

    I’ll post additional updates on this tree as it finishes its transformation into a fine specimen bonsai. In about two years, I expect to have it done.

    Let me know what you think of today’s work.

    Post-Snow Elm Work

    post-snow elm work

    Sneak Peek

    This past week was the worst, weather-wise, since 2014. I did better at freeze protection.

    Post-Snow Elm Work

    It’s been an interesting time since my last blog two weeks ago. Last Saturday and Sunday were spent putting all of my temperate trees on the ground and under benches where possible, then covering the entire system of benches with plastic. I know what can happen at 15F, with freezing rain and snow. This time they predicting 10F, after the freezing rain and snow. Last time I simply couldn’t take any protective measures; this time I did all I could.

    The good news is, despite freezing rain and snow our lowest low temp was only 20F. Now that’s pretty doggone cold for some of the species I grow, deadly in fact for some, but on the ground and under cover I think everything should make it. I’ll know in about four to size weeks.

    Yesterday and today were spent uncovering everything, moving blocks of ice that hadn’t yet melted, and cleaning up broken overhead shade cloth supports that couldn’t take the hundred pounds of ice that froze on it. All in all, I had some minor apex damage on about a dozen trees due to the weight on the plastic covering. But everything’s back on the bench now.

    We move on. It looks like temperatures are moderating this coming week, so it won’t be long until the Chinese elms are starting to leaf out. I actually have one specimen that’s unfurling some leaves, and though they got a little bitten this past week it won’t stop the tree from pushing on ahead soon. This forest planting, which is starting to look very nice, should be budding in the next week or so. There are a couple of things that need doing today, before this happens.

    You probably noticed the left-most tree – it was just too straight. So I put a piece of 6mm wire on it and gave it just a little curve. That makes a big difference. I also wired up the apex on the number two tree.

    Once the tree has put on a flush of growth, I’ll trim it back pretty hard to increase ramification. Chinese elms are very cooperative when it comes to reducing leaf size and twigginess. So this forest is going to be in great shape by summer.

    This is one of the Water-elms we collecting last summer. It grew really well into fall, so well in fact that it needs to be wired in order to prevent it from becoming a do-over. What’s a do-over? That’s a piece of raw material that’s so overgrown you literally have to remove all of the branches and regrow them. Left alone, most collected deciduous trees will grow branches that reach for the sky, and thicken fast enough to render them useless in a bonsai design within two years at most. That’s one reason I like to move material within the first year if possible. I don’t have time to wire everything that hits my benches, so if a customer gets a specimen in that first year out of the ground, they can get an initial styling done before the branches get out of hand. That can save at least a year in the development of a tree.

    Here I’ve started by removing the superfluous low branches, and wiring the first and second (in this case left and right) branches. This, by the way, is a key milestone in the design of any tree from raw material. As you work your way from the bottom of a new piece of material, that first branch sets the tone for all of the others. And once you get the first two branches wired and positioned, the rest of your design is almost guaranteed to fall right into place.

    The next two branches are done, a back branch and a left side branch (which will also provide some front-facing foliage to cover some of the trunk). The left branch is just an elongated stub with a few nodes, as it hadn’t ramified yet. Once it does, which will happen starting in spring, I’ll be able to fill out its design.

    The was a lot less than met the eye in the apex. While there was a good bit of growth, most of it was unusable. Not to mention the fact that there’s some dead wood that was just below the original leader. I didn’t like that as a starting point for my apex, so I cut it away. The current leader is emerging from what should be a good and healthy point on the trunk. I’ll let it grow unrestrained for at least a month once the tree comes out, and start building the crown from there.

    I hope all of you affected by the deep-freeze came through all right.